Beginner
Hero Slow Motion
Punchy, dramatic slow motion for a single hero moment.
A. What It Creates
A short, high-impact slow-motion clip - a splash, a jump, a hit - that holds up at quarter or eighth speed.
B. Settings Panel
- RES
- 2.7K
- FPS
- 240 fps
- LENS
- Wide
- STAB
- HyperSmooth 6.0 - AutoBoost
- COLOR
- Standard (10-bit)
- BITRATE
- High - Variable Bit Rate
C. Shooting Instructions
- 01Frame tighter than feels natural - at 240fps you'll crop in during edit and lose resolution at the edges.
- 02Use Wide lens here, not Linear; you want maximum coverage to not miss the exact moment of impact.
- 03Pre-roll: start recording 2-3 seconds before the action, since reaction time means you'll always be late.
- 04For extreme slow-mo (water droplets, full impact freeze), switch to Burst Slo-Mo mode at 720p400fps for a 15-second window instead.
Environment
Anywhere with a single, repeatable action - water, sport, impact.
Camera Movement
Static. Slow motion and camera movement fight each other.
Timing
Whenever the action happens - this preset is about fps, not light.
Lighting
Bright light is critical - 240fps needs far more light than 30fps to stay clean.
D. Example Scenarios
Water splash
Use Burst Slo-Mo 720p400 for the actual impact frame, standard 240fps for the lead-in.
Coffee pour
Side-light the stream so the slow-mo shows texture, not a flat dark line.
Sports impact
Lock focus distance beforehand; autofocus can hunt during fast action.
E. Expected Result vs. Common Mistakes
Expected Output
A short, hyper-detailed clip of a single action, stretched 8x-10x in the edit.
Common Mistakes
- — Shooting in low light - 240fps footage gets noisy fast without strong lighting.
- — Forgetting the 720p resolution drop when using Burst Slo-Mo and being surprised in the edit.
- — Moving the camera during the shot - it cancels the 'frozen moment' feeling slow-mo is meant to create.
F. Demonstration
G. Checklist Before Recording
- — Lens set to Wide
- — 2.7K at 240 fps
- — Stabilization: HyperSmooth 6.0 - AutoBoost
- — Color profile: Standard (10-bit)
H. Pro Tips
- — Conform to 24fps in the edit for a film-like slow-down rather than 30fps, which feels slightly less cinematic.
- — Cut the slow-mo clip short - 1-2 seconds of screen time from a 10-second clip is usually plenty.
I. Export Recommendation
Conform to 24fps timeline, export H.265, keep clip under 3 seconds on screen.